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Millimeter February 2001

COVER

Features

Fight or Switch?

BY Michael Goldman

On Stage 22 at the CBS lot in Studio City, a TV film crew is spending a seemingly ordinary day shooting flashback and insert segments for the Fox sitcom...


Frozen Explosion

Michael Goldman

The so-called frozen time, virtual camera effect has been around for years, and received its greatest attention for the unique fight sequences in The...


Honoring the Brainiacs

Ellen Wolff

Every spring, the Academy of Motion Picture Arts and Sciences bestows scientific and technical honors on the wizards who invent tools for the filmmaking...


Underwater Storyteller

Barry Braverman

For 20 years, cameraman Mark Shelley has documented the natural world as one of the planet's foremost underwater specialists. His National Geographic...


ABCs of Rental

Audrey Doyle

Certainly the rise of DV has made equipment ownership more widely affordable for many shooters and editors, but if your needs run to typical camera packages...


Regional Report

New Techniques and New Media

Kristinha McCort

With advances in broadband and streaming technologies, Los Angeles-based companies from traditional film and broadcast backgrounds are increasingly utilizing...


Technology

Hold Everything

Dan Ochiva

Making the best choice for storage and networking means more than just choosing among drive types or networking technologies. As always, intended use...


The Little Engine That Could

Ellen Wolff

A decade ago, costly computers from SGI ruled the world of digital effects. During the 1990s however, turbocharged PCs increasingly challenged the hegemony...


The Lure of Linux

Jean-Luc Bouchard

Jean-Luc Bouchard is marketing director of Venice-based Nothing Real, which makes high-end compositing tools including the popular Shake. In this piece...


Step by Step

Cast Away

Ellen Wolff

One moment in the Twentieth Century Fox/Dreamworks film Cast Away reveals just how marooned the character played by Tom Hanks truly is. Climbing atop...


Clips

What Lies Beneath

Kristinha McCort

A recent campaign for Wells Fargo, out of DDB Needham, Los Angeles, may look straightforward, but it actually involved a considerable amount of labor...


ClipMail Campaign

Michael Goldman

At least one thing did go right for Vice President Al Gore during the 2000 election speedy distribution of some of his political ads. In particular, a...


Winston's Animatronic Behemoth

Michael Goldman

Under a tarp on a Universal lot soundstage lurks Stan Winston's biggest, baddest creation to date Spinosaurus. Now on hiatus, the 40-foot high, 24,000-pound...


Going Mobile

Michael Goldman

As 2001 dawned, the mobile production industry was gearing up to make onsite editing built around hard-disc server technology a common service for major...


Mo-Cap Wizardry

Michael Goldman

In New Zealand, production on New Line's The Lord of the Rings film trilogy continues at a hectic pace, with the first of the three films The Fellowship...


Hot Spots

Hot Spots

by Kristinha McCort

Portland General Electric In this beautiful spot for Portland GE's EcoStore, little girls holding eco-conscious flashlights run through a backyard forest...


Cool Graphics

Cool Graphics

Kristinha McCort

MTV Title Sequence Production/Design Amoeba Proteus/Crossroads Design, New York Directors Dan Schrecker, Jeremy Dawson Executive Producers Stephen Axthelm,...


Fields and Frames

Fields & Frames

by Dan Ochiva

Has Sony positioned itself to become the dominant player in the Internet and new media entertainment spaces? By April, according to news reports on the...


Hotware

Hotware

Dan Ochiva

IBM's M Pro Goes Pentium 4 IBM became one of the first vendors this past fall to announce a workstation, the M Pro, built around Intel's Pentium 4. The...


Digital Production News

Making Data Part of Production

Dan Ochiva

For Andrea Kalas, installing a media asset management (MAM) system just made sense. Kalas, director of the Virtual Studio at Discovery Communications...


Revisiting Seven's Design Legacy

Kristinha McCort

A lot of the designers didn't want to touch Seven there was such a big obligation toward the film, recalls Steve Kazanjian, partner at Santa Monica-based...


Beta Sight

MTI's Digital Restoration Suite

by Mark Girard

High Technology Video (HTV) is a Los Angeles-based video postproduction company that focuses primarily on high-definition long-format feature film mastering,...


Fade to Black

Fade to Black

Darroch Greer

Terence Davies, Director Though we have lost Stanley Kubrick, England still holds a treasure in Terence Davies, the emotionally astute director of Distant...


Articles

Love's Labor Lost?

by Michael Goldman

Last year, Titus producers and Fox TV executives decided to switch the sitcom's production method from 35mm film cameras to Sony's 24p HD cameras, rented...


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