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Millimeter September 2001

COVER

Editor's Notes

An Altered View

Cynthia Wisehart, Editor

I'm writing this column on Sept. 12 the last day before we must go to the printer. I had planned to write about software, but it's impossible to concentrate...


Features

Summer Sound

by Blair Jackson, Maureen Droney, and David John Farinella

Simulating A.I.

After Stanley Kubrick died last year, his friend Steve Spielberg completed their unique......


Home Schooling

by S. D. Katz

Materials for Sharpening Your CG Chops...


Big Scrappy Apple

by Michael Goldman

Many grizzled veterans of the New York production and postproduction wars consider the current flat economy little more than par for the course....


Siggraph 2001

Dan Ochiva and Michael Goldman

Even if the crowds seemed sparser and companies seemed fewer than the last time in Los Angeles, Siggraph......


Penguin Power

by Ellen Wolff

Software Developers Queue Up on the Linux Platform...


New Wave

by Bob Turner

Advance Authoring Format (AAF) is here....


Clips

Flash for Film

Kristinha McCort

San Francisco-based animator and indie director Nina Paley recently used Macromedia Flash in an unconventional manner. She used the application, typically...


New Breeds

Kristinha McCort

Animators at ViewPoint Studios, Boston, created several new hybrid species while working on a recent spot out of The Merica Agency, Las Vegas....


Gotta Have Shaders

Michael Goldman

Rudy Poat's CG short, Fruits of Labor, which screened at this year's Siggraph Electronic Theater, has received attention for combining radiosity rendering...


Visit Avid World

Michael Goldman

Editor's Note: The following item went to press for the September issue of Millimeter prior to organizers rescheduling the Avid World conference on the...


Spinning the Ball

Michael Goldman

Santa Monica's Planet Blue recently animated a flying, spinning golf ball against a white background for the first of six spots for Callaway Golf Balls....


Building the Crowd

Michael Goldman

A new British indie, Mike Bassett: England Manager, exemplifies how digital effects have come of age for lower-budget pictures. The movie, scheduled for...


Hot Spots

Hot Spots

by Kristinha McCort

A selection of the hottest agency work submitted monthly to Millimeter....


Cool Graphics

Cool Graphics

by Kristinha McCort

The best of broadcast graphics.......


Fields and Frames

Fields & Frames

by Dan Ochiva

Legislation introduced in Congress this past July addresses the perception that runaway production threatens the U.S. film industry. The bill, introduced...


Hotware

Hotware

by Dan Ochiva

Fibre Channel: The Next Generation FC switches are going where they've never been before. 2Gbps networks are here. With that speed, networks can now move...


Digital Production News

Pumping out Previews

Michael Goldman

Not all DVD releases need to offer bit-sucking bonus material left and right. Some projects, in fact, are designed and engineered to offer a straight-forward,...


Light Matters

Debra Kaufman

Tales from the Neverending Story, based on an award-winning novel by German author Michael Ende, is getting an HDTV outing via a coproduction of Muse...


Beta Sight

Panasonic's AJ-HDC27V

by David Niles

Every once in a while, a product comes along that really opens your eyes. That's exactly what happened when we took delivery of the first production model...


Fade to Black

Fade to Black

Darroch Greer

Many DPs earn their reputation through a specific look or type of film. It would be hard to pin down Peter Deming in this manner. He has worked in every...


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