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Millimeter February 2002

Editor's Notes

Power Plays

A veteran DP recently told me a story about pushing his producers to adopt HD, only to find that his role on set had subtly changed. Because the camera...


Features

Pasadena: A 24p Experience

by Michael Goldman

DP Roy H. Wagner, ASC, shoots Pasadena using 24p technology and an approach similar to his normal film style, using "the same dynamic contrast ratios that I normally use with 35mm."...


Digital Cathedral

By Ellen Wolff

Bill Viola Goes Forth with HD......


Sounds Of A Magical World

By Blair Jackson

Harry Potter and the Sorcerer's Stone...


Shrink to Fit

by Philip De Lancie

MPEG Video FAQ...


Step by Step

SoulKeeper

by Ellen Wolff

If director Darin Ferriola gets his wish, the SciFi Channel will follow its presentation of Ferriola's indie project SoulKeeper with future installments of this irreverent sci-fi yarn. Regardless of whether......


Clips

Digital Equines

Michael Goldman

Since the U.K.''s new, interactive, CG TV channel, I-Race, televises digital horse races 24-hours-a-day, its creators realized that only motion capture could provide a sufficient library of realistic horse movements. The channel allows viewers to bet on races and was slated to go online in early 2002....


A Tremor Finish

Michael Goldman

In 2001, Hammer Films, known for creating optical theatrical trailers, decided to move its trailer pipeline entirely into the digital world and started a new division to this end — Digital Hammer.

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CG Big Easy

Michael Goldman

The sheer scope of the animated show-open created for Fox TV's Super Bowl broadcast presented a major challenge for network animators as game day approached.

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Long Distance HD

Michael Goldman

Despite an ocean between rental house and client, the production of 22 episodes of a new sci-fi TV series, Flatland, in Shanghai, China, has proceeded smoothly using 24p high-definition technology.

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First-Generation Rental

Michael Goldman

Midway through production, Conscientious Objector — the first feature-length documentary to be filmed exclusively using Panasonic's new AJ-HDC27V, variable frame-rate HD camera — graduated from using a prototype to a production model of the Panasonic camera.

...


Documentary filmakers adopt HD

Michael Goldman

"See Related Story" Terry Benedict''''s upcoming documentary, Conscientious Objector, benefited from having two DPs willing to dive into 24p high-definition,...


Hot Spots

Hot Spots

by Trevor Boyer

A selection of the hottest agency work submitted monthly to Millimeter....


Cool Graphics

Cool Graphics

by Ann Muder

The best of broadcast graphics ......


Fields and Frames

fields & frames

by Dan Ochiva

Code-named Northwood, the introduction of the latest Pentium 4s in January offered more than just a speed boost to 2.0GHz and 2.2GHz. Because they use...


Hotware

Hotware

A Review of New Products...


Digital Production

Putting a Century of Coca-Cola Online

Dan Ochiva

Coca-Cola is an institution. With a history dating back to 1886, years of the Atlanta-based company's highly successful advertising helped portray a vision...


Review

Visual Infinity's Grain Surgery

By S. D. Katz

Desktop compositing often requires combining digital elements and film backplates. To make the illusion seamless......


Fade to Black

Peter Jackson, Director

Michael Goldman

Peter Jackson is planning his next vacation, two years down the road.

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