Millimeter August 2002Editor's NotesDeep DogmaCynthia Wisehart, Editor Robert Rodriguez is nothing if not confident. A do-it-himself filmmaker, he is the height of hyphenation as writer-director-shooter-editor, and he has... FeaturesThe Man Who HATES Filmby Michael Goldman Director Robert Rodriguez eagerly explains why he abandoned film in favor of 24p HD for movie-making. ... Metadata Entryby Dan Ochiva If old clips are inaccessible, they're not worth the length of Beta tape on which they're hidden. Though companies pushing asset management systems today... Step by StepClipsMini-DV in the Fieldby Michael Goldman
Geno TVby Michael Goldman
... Matte Painting Legendsby Michael Goldman
Craig Barron considers his 10-year odyssey to co-author the first book on the art and history of feature-film matte painting, The Invisible Art: The Legends of Movie Matte Painting, the equivalent of “an archaeological dig.” ...Hot SpotsHot Spotsby Trevor Boyer A selection of the hottest agency work submitted monthly to Millimeter.... Cool GraphicsFields and FramesFields & Framesby Dan Ochiva Innovation TK's unexpected demise this past July shocked and dismayed many in the post community. The Hertford, England-based telecine manufacturer gained... HotwareReviewFinal Draft 6.0By S. D. Katz Over the past several years, Final Draft and a handful of other programs have solved the major formatting issues required for an industry-approved screenplay...... Beta SightVDS' Liberty Reality Studio 8.1By Sybil Hatton, president, X2o Creative I first used Liberty Reality Studio in 1996, and it didn't take long to realize the creative possibilities in this one application. There were still certain... Fade to BlackFade to Blackby Jon Silberg Many years before last summer's The Fast and the Furious became a hit, director Rob Cohen aimed to make heartfelt dramas. He achieved mixed success over... |