Millimeter December 2004
By Blair Jackson
It somehow seems appropriate that the crew that worked on Oliver Stone's latest film, Alexander, comprised professionals from many countries — after all, the youthful subject of the film conquered much of the known world in the fourth century B.C. and established an empire that stretched from the Mediterranean to India. The film was shot in the UK, Morocco, and Thailand. It was produced by Germans, Americans, and a Scot. It was shot by...
If you're inclined to start your year with technology-related adventures, there's a lot to choose from. Jan. 10 to 14 you could warm up at Macworld in...
By Michael Goldman
When Martin Scorsese first decided it would be, in his words, interesting to explore ways to bake the visual color sense of the old Technicolor two-strip...
By Beck Finley
A selection of the hottest agency work submitted monthly to Millimeter...
By Stephanie McInnes
The best of broadcast graphics...
By Dan Ochiva
Smaller-than-a-breadbox RAID...
By Dan Ochiva
The Cambridge, England-based company says its Antics Pre-Viz app makes creating animated 3D storyboards easy enough for even the non-specialist to tackle...
By Dan Ochiva
Editing with Final Cut Pro 4, Cinematic Motion, LightWave 8 Killer Tips, and more...
By Dan Ochiva
Mo-cap and Animation Workstation...
By Dan Ochiva
Pro Import PPro...
By Dan Ochiva
High-res Scanning Duo...
By Dan Ochiva
Lower-cost HD Projection...
By Dan Ochiva
Recording for the Road...
By Darroch Greer
It was inevitable that A Very Long Engagement, the masterful World War I novel by Sebastien Japrisot, would be made into a movie, and who better to direct, shoot, and star than Jean-Pierre Jeunet, Bruno Delbonnel, and Audrey Tautou, hot off their success with Amelie. When making a World War I epic, there are obvious visual touchstones...
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