Fade to Black: Roberto Schaefer, ASC 

By Michael Goldman

If there is one thing cinematographer Roberto Schaefer has learned during his journey into the world of digital acquisition, it’s that there is not, and probably never will be, a uniform digital workflow...

Fade to Black: R.J. Cutler, Director/Producer  

By Michael Goldman

Just before heading off to the 2009 Sundance Film Festival with his newest film, The September Issue, documentary filmmaker R.J. Cutler waxed philosophical...

Editor's Notes 

Not quite two years ago, we started down a remarkable path that quietly transformed our work at millimeter and Digital Content Producer. The most high-profile...

Q&A with FlickerLab founder/creative director Harold Moss  

By Craig Erpelding

Harold Moss is the founder and creative director at FlickerLab and Moss based in New York which worked on two movies that are grabbing headlines of late:...

Fade to Black: Henry Selick, Director  

By Ellen Wolff

Fifteen years have passed since audiences became bewitched by the stop-motion classic Tim Burton's The Nightmare Before Christmas...

Editor's Notes 

By Cynthia Wisehart

Last year, NAB invited users of millimeter's Reel-Exchange service (reel-exchange.com) to exhibit their work on the 35ft. screen in the Central Hall Content Theater, as well as at various locations throughout the show and convention via DVD and online at nab365.com...

Q&A with Stephen Murphy, DP on Fifth Street  

By Craig Erpelding

Originally from Ireland, Stephen Murphy began his career as a prosthetic makeup artist, designing and sculpting prosthetics and animatronics...

Q&A with Mind-Made Media 

By Craig Erpelding

Mind-Made Media is a Los Angeles-based independent production company started by two indie and big-budget filmmaking veterans: Alexandra Austin and Mike...

Editor's Notes 

By Cynthia Wisehart

When we started to think about this year's Siggraph issue, our reporters' ideas came from a more personal direction than usual. Notably, our longtime...

Fade to Black: Jim Morris, Producer 

By Ellen Wolff

Producer Jim Morris vividly remembers his turning point during production of WALL•E, the ninth film and ninth hit of the Pixar/Disney partnership...