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Bryan Carroll is a longtime film editor who, for the last several years, has served as a co-producer and digital workflow guru on director Michael Mann's feature films, dating back to Mann's first use of a digital camera in 2001's Ali. Carroll helped Mann build a digital camera acquisition pipeline and workflow approach following that film's limited use of HD for more recent movies Collateral (2004) and Miami Vice (2006), and is presently at work helping Mann finish his next project—Public Enemies, a 2009 feature about gangsters of the 1930's. Public Enemies was shot using Sony's CineAlta F23 camera system after Mann's team previously used Thomson's Viper system on its previous two films.
Millimeter Senior Editor Michael Goldman recently had the opportunity to chat with Carroll about the growth and evolution of Mann's digital filmmaking pipeline over the course of the last seven years, and how it is being applied today on Public Enemies. Look for part 2 in the next issue of HD Focus.
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