The Motion Picture Sound Editors are proud to announce their 2004 Golden Reel winners in 17 categories.

Mar 1, 2005 2:41 PM

The Aviator took home the Golden Reel Award for Sound Effects Editing in a Feature Film. Sound Editing in a Foreign Film went to House of Flying Daggers, and Sound Editing in an Animated Film went to The Incredibles.

Dialogue/ADR Editing in a Feature Film went to Eternal Sunshine of the Spotless Mind. Music Editing in a Feature was won by The Passion of the Christ, and in Musical Feature, it was Ray.

The feature film awards were presented by previous winner Dane Davis, MPSE (The Matrix) and Music Editor Zigmund Gron, MPSE.

In television, HBO took home two trophies, one for Dialogue Editing in Longform Television for The Life and Death of Peter Sellers and one for Music Editing in Shortform for Sex and the City.

Lost won two awards: Sound Effects editing in Shortform Television, and Dialogue/ADR Editing in Shortform Television.

CSI Miami won for Sound Effects Editing in Longform Television. A tie in Longform Music went to A Christmas Carol, The Musical and The Mystery of Natalie Wood.

Nickelodeon won the Television Animation awards for The Adventures of Jimmy Neutron: Boy Genius! Sound Editing in a Special Venue Film went to NASCAR 3D. Sound Editing in Computer Entertainment was won by Goldeneye. Sound Editing in Direct to Video was won by Bionicle II.

In the Verna Fields Award for Sound Editing in a Student Film, Emma Meaden came all the way from the National Film & Television School in London to collect her award for Lloyd in the Corner. This year Associated Production Music was kind enough to underwrite the $1000 Ethel Crutcher Scholarship Fund for this award.

Sound editor Richard Hymns presented the Career Achievement Award to sound designer Gary Rydstrom. Legendary editor & mixer Walter Murch presented the Inaugural Filmmaker's Award to George Lucas.

MPSE president David Bondelevitch was very proud of the evening's festivities. "We are pleased to recognize the contributions of so many people. For many, this is the only time when the contribution of the entire sound crew is truly recognized. Not only are the supervising sound editors recognized, but dialogue, ADR, Foley, and music editors are as well. We also recognize many different types of projects including animation, computer entertainment, and special venue films, all of which are often overlooked."

SOUND EFFECTS EDITING IN A FEATURE FILM
The Aviator
Supervising Sound Editors: Eugene Gearty, Philip Stockton, MPSE
Supervising Foley Editor: Frank Kern
Sound Effects Editor: Wyatt Sprague
Foley Editors: Kam Chan, Steve Visscher, Jacob Ribicoff

SOUND EDITING IN A FOREIGN FILM
House of Flying Daggers
Supervising Sound Editors: Roger Savage, Tao Jing, MPSE
Supervising Foley Editor: Jo Mion
Supervising ADR Editor: Wang Yu Hong
Sound Editors: Steve Burgess, Vic Kaspar, MPSE, Ron Feruglio, Paul Pirola, Andrew Neil, Glenn Newnham
Foley Editors: Mario Vaccaro, Blair Slater

DIALOGUE/ADR EDITING IN A FEATURE FILM
Eternal Sunshine of the Spotless Mind
Supervising Sound Editor: Philip Stockton, MPSE
Sound Designer: Eugene Gearty
Supervising Dialogue Editor: Philip Stockton, MPSE
Supervising ADR Editor: Marissa Littlefield
Dialogue Editor: Fred Rosenberg
ADR Editor: Hal Levinsohn, MPSE

MUSIC EDITING IN A FEATURE FILM
The Passion of the Christ
Supervising Music Editor: Michael T. Ryan, MPSE

MUSIC EDITING IN A MUSICAL FILM
Ray
Music Editor: Curt Sobel

SOUND EDITING IN AN ANIMATED FILM
The Incredibles
Supervising Sound Editor: Michael Silvers, Randy Thom
Supervising Foley Editor: Suzanne Fox
Sound Effects Editors: Terry Eckton, MPSE, Kyrsten Mate, E. J. Holowicki
ADR Editor: Steve Slanec
Foley Editor: Al Nelson
Music Editor: Stephen M. David

SOUND EFFECTS EDITING IN LONGFORM TELEVISION
CSI: Miami "Crime Wave"
Supervising Sound Editor: Ann Hadsell
Sound Designer: Bradley C. Katona, MPSE
Supervising Foley Editor: Ruth Adelman, MPSE
Sound Effects Editors: Bill Smith, Edmond Coblentz
Foley Editor: Bill Smith

DIALOGUE/ADR EDITING IN LONGFORM TELEVISION
The Life and Death of Peter Sellers
Supervising Sound Editor: Tim Hands
Supervising Dialogue Editor: Victoria Brazier
Supervising ADR Editor: Victoria Brazier
Dialogue Editors: Laura Lovejoy, Zack Davis, MPSE
ADR Editors: Anna MacKenzie, Zack Davis, MPSE

MUSIC EDITING IN LONGFORM TELEVISION – TIE
A Christmas Carol, The Musical
Supervising Music Editor: Joanie Diener, MPSE
Scoring Editor: Joanie Diener, MPSE
AND
The Mystery of Natalie Wood
Music Editors: Allan K. Rosen, MPSE, Nick Viterelli

SOUND EFFECTS EDITING IN SHORTFORM TELEVISION
Lost "Pilot Part One"
Supervising Sound Editors: Thomas de Gorter, MPSE, Trevor Jolly
Sound Effects Editors: Paul Menichini, MPSE, Roland Thai, MPSE, Marc Glassman

DIALOGUE/ADR EFFECTS EDITING IN SHORTFORM TELEVISION
Lost "Pilot Part One"
Supervising Sound Editors: Thomas E. de Gorter, MPSE, Trevor Jolly
Supervising Dialogue Editor: Christopher Reeves, MPSE
Dialogue Editors: Gabrielle Reeves, Troy Allen
ADR Editor: Troy Allen

MUSIC EDITING IN SHORTFORM TELEVISION
Sex and the City "An American Girl in Paris (Part Deux)"
Supervising Music Editor: Dan Lieberstein
Music Editor: Missy Cohen

SOUND EDITING IN ANIMATED TELEVISION
The Adventures of Jimmy Neutron: Boy Genius!
Supervising Sound Editors: Jason Stiff, Gary Falcone
Supervising Foley Editor: Jeff Kettle
Supervising Dialogue Editor: Michael Petak
Supervising ADR Editor: Justin Brinsfield
Music Editor: Charlie Brisette
Sound Effects Editor: Paul Menichini, MPSE
Dialogue Editor: Tom Maydeck, CAS
ADR Editor: Michelle Smith
Foley Editor: Tom Maydeck, CAS

SOUND EDITING IN A SPECIAL VENUE FILM
NASCAR 3D: The IMAX Experience
Supervising Sound Editor: Peter Thillaye
Sound Designer: Ed Douglas
Supervising Foley Editor: Andy Malcolm
Supervising Dialogue Editor: Joe Mancuso
Supervising ADR Editor: Peter Thillaye
Music Editors: Will Kaplan, Andre Knecht
Sound Effects Editors: Chris Miller, Karl Mohr

SOUND EDITING IN COMPUTER ENTERTAINMENT
Goldeneye: Rogue Agent
Supervising Sound Editors: Paul Menichini, MPSE, Gregory Allen
Supervising Foley Editor: Erik Kraber
Music Editors: Gregory Allen, Tony Alvarez
Sound Editors: David Farmer, MPSE, Ann Scibelli, MPSE, Tim Nielsen, Roland Thai, MPSE, Mark Allen, MPSE, Derek Vander Horst, Shane Kneip, Jon Tendrich
Dialogue Editor: Jeremy Hall

SOUND EDITING IN DIRECT TO VIDEO
Bionicle II: Legends of Metru Nui
Supervising Sound Editors: Timothy J. Borquez, MPSE, Roy Braverman
Supervising Dialogue Editor: Eric Freeman, MPSE
Supervising ADR Editor: Doug Andorka
Music Editor: Timothy J. Borquez, MPSE
Sound Effects Editors: Tom Syslo, Jeff Hutchins, Brian Mars, Mark Howlett, Paul Menichini, MPSE, Gordon Hookailo, Michael Geisler, MPSE, Daisuke Sawa, Mark Mailand
Foley Editor: Jason Freedman, MPSE

VERNA FIELDS AWARD FOR SOUND EDITING IN A STUDENT FILM
Lloyd in the Corner
Sound Editor: Emma Meaden
NATIONAL FILM AND TELEVISION SCHOOL

CAREER ACHIEVEMENT AWARD
Gary Rydstrom

INAUGURAL FILMMAKER'S AWARD
George Lucas

Continue the discussion on �Crosstalk� the Millimeter Forum.

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The Motion Picture Sound Editors are proud to announce their 2004 Golden Reel winners in 17 categories.

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