Section Editor: Lucy Sutton
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Special OPS

By Kristinha M. Anding

There's Something Very Mission: Impossible about the Oceanic Preservation Society (OPS), a Boulder, Colo.-based nonprofit that creates films about the decline of the Earth's oceans — and stops at virtually nothing to get a good shot...

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Products

Distribute Tools: VBrick Systems

In our on-the-move age, having gear that allows you to produce video on location and then transmit it becomes ever more useful. VBrick Systems has a product...

Distribute Tools: ViewCast

With digital technology more compact and powerful than ever, compact media production for the Web is taking off. Introduced at NAB Show 2008, the GoStream...

Distribute Tools: Blackmagic Design

Well, Blackmagic Design has done it again, coming up with a smart new product at a lower price point that solves a real production problem. The Blackmagic...

Reviews & Features

Digital Asset Management Focus Page

Digital Content Producer articles and external resources on digital asset management...

NAB 2008 Wrap-up

Upstarts Red Digital Cinema, Iconix, and Vision Research were responsible for some of the most arresting developments in cameras...

Tapeless on Steroids

Shortly after the film had been in competition at Sundance, Mark Cuban bought Bigger, Stronger, Faster* (opening in theaters as we go to press)...

Have You Hugged Your Metadata Today? Part 2

In the last segment, I extolled the virtues of Panasonic’s P2 cards and the Material eXchange Format (MXF) used thereon. In this segment I review Adobe’s P2 and MXF workflow. Just to change things up, I’ll write this segment as a FAQ, rather than a narrative, which will identify the questions I feel are key to any implementation of P2/MXF support...