Reviewer: Tom Patrick McAuliffe
You and your clients have tons of source footage on DV and DVCAM, but at some point, someone is going to want to view the material on DVD...
Edit Review: Apple MacBook Pro Reviewer: Jan Ozer
Say what you want about Mac vs. Windows or Adobe Premiere Pro vs. Apple Final Cut Pro, but if you have a pulse, new Apple hardware almost always sends it racing...
Edit Review: Boris Blue Reviewer: Franklin McMahon
We have been waiting a long time for Blue. I think I first heard about it before NAB 2005, and I was excited to see how the advancement of the Boris Red engine would blossom into a realtime effects tool...
Step by Step: By Ellen Wolff
The opening sequence for Hellgate London only looks like a scene from a CG feature; it is actually the cinematic introduction to a PC role-playing game...
IBC 2006 By Dan Ochiva
Ready for more? For many traveling to the International Broadcasters Convention (IBC), the annual Amsterdam, Netherlands-based show remains one of the...
Reviewer: S.D. Katz
We have all upscaled images in Adobe Photoshop, Autodesk Combustion, or other image editors, so we expect enlarging PAL or NTSC footage to HD to produce...
Shoot Expertise: The Filmmaker's Codec By Barry Braverman
In the beginning, it was known as FutureSplash, the product of a small startup that had come up with a way to deliver animation to dog-slow computers...
Hand in Hand By Dan Ochiva
When Autodesk completed the final paperwork this past January on its buyout of Alias, a new era began in the highly competitive animation and effects...
Going Tapeless By Michael Goldman
Director David Fincher insists he has deleted videotape from his professional life for good. I've hated tape for a long time all the nonsense that comes...
God in HD By Cynthia Wisehart
As church leaders understand the expanding role of AV in their ministries, they accumulate a list of skills from event producer to ENG newsgather to niche...